Schön W. Freund (
u_can_have_it_4_a_song) wrote2015-08-26 07:09 pm
![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
A Moment of Introspection (Locked to Verity)
Schön keeps an office in the Nexus, although he does most of his work outside it, an opulent retreat from the timeless bustle outside. Richly colorful Oriental rugs allow only glimpses of a polished oak floor. The desk is a monolith of mahogany, inlaid with accents of rosewood and teak, carved with reliefs of twining roots and branches, of fanciful creatures, and of faces peeking from among the leaves. The chairs before and behind the desk are upholstered in silk and buttery-soft leather, the one behind the desk tall and evocative of a throne.
The walls, papered in a deep Chinese red pinstriped with navy, are densely clustered with art in a dizzying array of styles; most are paintings, but a few cameos hang as well, and a Stradivarius enjoys pride of place over the mantle. Shelves behind the desk are similarly crowded with books and odd little knickknacks, the former rarely comprising the sort of orderly matched sets that tend to fill shelves behind desks in offices. To one side of the door stand a coat rack and a sideboard loaded with bottles of exotic libations, while to the opposite side stands a small table bearing several indistinct articles over which has been draped a gossamer shroud. Against one side wall sits an overstuffed couch, and in the opposite wall is set a fireplace, where a multicolored flame pops and crackles merrily, sending an occasional swirl of rainbow-colored sparks up the chimney.
The room has also been warded to a fare-thee-well, to keep out prying eyes and ears, ensuring that all which transpires within remains private. The wards, to an extent, even work both ways, for when the door is closed, all the noise from outside falls away.
Hanging up his hat and cane as he enters, Schön turns to offer a hand to escort Verity inside. "Please come in, Ms. Willis, and be seated comfortably. May I offer you anything to steady your nerves?"
The walls, papered in a deep Chinese red pinstriped with navy, are densely clustered with art in a dizzying array of styles; most are paintings, but a few cameos hang as well, and a Stradivarius enjoys pride of place over the mantle. Shelves behind the desk are similarly crowded with books and odd little knickknacks, the former rarely comprising the sort of orderly matched sets that tend to fill shelves behind desks in offices. To one side of the door stand a coat rack and a sideboard loaded with bottles of exotic libations, while to the opposite side stands a small table bearing several indistinct articles over which has been draped a gossamer shroud. Against one side wall sits an overstuffed couch, and in the opposite wall is set a fireplace, where a multicolored flame pops and crackles merrily, sending an occasional swirl of rainbow-colored sparks up the chimney.
The room has also been warded to a fare-thee-well, to keep out prying eyes and ears, ensuring that all which transpires within remains private. The wards, to an extent, even work both ways, for when the door is closed, all the noise from outside falls away.
Hanging up his hat and cane as he enters, Schön turns to offer a hand to escort Verity inside. "Please come in, Ms. Willis, and be seated comfortably. May I offer you anything to steady your nerves?"
no subject
no subject
no subject
no subject
no subject
no subject
no subject
no subject
no subject
no subject
no subject
no subject
"Hmm. What say you to a tale of Lugh of the Long Arm?"
no subject
"I don't know who that is," she admits. Which is shameful given her family is English. Or maybe predictable. Hard to say really. "But now I'm curious."
no subject
no subject
no subject
"Lugh had learned much from his uncle, and so he asked the doorman of each. 'Have you a wright?' 'We have a great wright.' 'Have you a smith?' 'We have a very fine smith.' Champion, swordsman, harpist, hero, poet and historian, sorcerer, craftsman, all these things they had, each more skilled than Lugh. "Ah, but,' he asked at length, 'have you any one who is all of those things?' At this, the doorman grudgingly gave way, for they did not."
no subject
no subject
no subject
no subject
no subject
no subject
Perhaps that sometimes, three threes is better than a nine? "Alas, no, he was before my time. He was a great king of the mythic eras, when the world was still welcoming to our kind."
no subject
no subject
"There is... some debate, on that very point," he admits. "There was a time when the doubt and misery of mortals forced our realm, the Dreaming, away from the world. Most of our nobles either fled into the Dreaming before the ways closed, or perished. The rest of the fae learned to bind their souls to mortals yet unborn, shield themselves from mortal doubt with mortal flesh, and in so doing receive some taste of mortality, themselves."
He shifts. Mortality is an uncomfortable subject. "While the nobles were absent, mortals experimented with new forms of government, and the fae walked with them. Old grudges were laid aside out of necessity, for what mattered a rivalry of tribe in the face of the Banality that would destroy both with indifference?" Is that a little wordplay, there?
"But there was a resurgence--a surge of hope and imagination across the breadth of the world, that drew the Dreaming close again, and briefly reopened the old paths. The nobility, the Sidhe, returned... and expected to take up their old position at the top, to continue fighting old battles and nurturing old grudges."
no subject
"So... when you say 'debate' you mean 'fighting'? Which side are you on?"
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)